Afternoon Tea on the Veranda

This is the third article in August of the School for Housewives 1909 series published on August 15, 1909, and is an article on how to have afternoon tea on the veranda. This is one of the few articles also printed in the Dauphin Herald which got me interested in Marion Harland’s serial work.

Transcribed from the Sunday edition of the The Buffalo Sunday Morning News.

Afternoon Tea on the Veranda

I LIKE that word—“veranda”—better than “piazza,” and it expresses something that “porch” does not cover. The latter word is synonymous with the old Knickerbocker “stoop.” Both imply roominess and cozy comfort, a secluded corner in which mynheer and his hausfrau cold take their ease, with pipe and mending basket, when the hard work of the day was done. The neighbors gathered there on summer evenings, and the air was thick with tobacco smoke and gossip. As a rule, the mistress of the house discouraged the growth of vines about the square stoop. They were harbors for mosquitos and slugs, and dry leaves and dropping flowers littered the floor.

Our veranda would not deserve the three-syllabled word were it bared of the draping vines. We got it from the orientals, with whom it signifies seclusion gained by lattices and shutters and vines. An English lexicographer appends to this definition the gratuitous observation that “The veranda is erroneously called a ‘piazza’ in the United States.”

Afternoon tea and the rechristening of porch, stoop and piazza have come to us simultaneously, and they have come to stay. It may be long before, from mansion to hovel, tea will be made and served at 5 o’clock throughout the length and breadth of our land, as in England, Scotland and Ireland. Were the vapor of the tilted teakettle visible, it would obscure the face of the sun between 4:30 and 5 in the British isles. Queen and washerwoman drink together then, and the clink of china marks the hour as faithfully as the town clock.

When Shadows Lengthen.

With us the pretty custom gained favor so fast within a quarter of a century that it is an exception when the cup that cheers but not inebriates is not offered to the afternoon guest. In thousands of homes it is as truly a family meal as breakfast.

I have called the custom “pretty.” It is never a more graceful function than when carried out upon the veranda. The simplest country cottage where the habit prevails is furnished with a wicker table, or one of “mission” manufacture, than stands on the veranda all the time. It has a modest corner for its own and keeps in the background until the “bewitching hour” of afternoon tea approaches. The aproned maid then sets it in the foreground, spreads the teacloth and brings out the tray upon which is arranged the tea equipage.

If the beverage is to be brewed by the mistress or by a daughter of the house, the teakettle and a spirit lamp form part of the pleasing array upon the tray. Or a 5-o’clock-tea stand precedes the appearance of the tray and is set beside the table. A silver or copper kettle swings over an alcohol lamp. Boiling water was poured into the kettle before it left the kitchen. The spirit lamp makes sure the actual boil before it goes into the teapot which must be hot from a recent scalding.

After the English.

The cozy, another English importation, is almost an essential when tea is served upon the veranda. If there be any breeze in the long summer day, it may be depended upon to spring up as the sun nears the western horizon. Moreover, the canny housemother sets the table in the coolest corner of the shaded veranda. She slips the cozy over the pot after the latter is filled, and leaves it there for the two minutes that are requisite to draw out the flavor and tonic properties of the Celestial herb without poisoning the infusion with tannic acid. The hot-water pot flanks the teapot, in case it should be needed to weaken the beverage for a “nervous” drinker. An alcohol flame burns under it while the function goes on.

Don’t cumber the simple and elegant ceremonial of afternoon tea by numerous and various appointments that make it heavy and expensive. I have in mind one city of fair size and abounding hospitality where the custom degenerated into “receptions” demanding salads, ices and a dozen et ceteras, entailing an expenditure of labor and money that made this form of entertainment impracticable for the woman of limited means.

Ask half a dozen of the nicest neighbors you have to take a cup of tea with you on the veranda on a given afternoon when you have a choice fiend staying with you. Group easy chairs and wicker rockers invitingly in the corner sacred to the tea hour, and assemble your guests there as they arrive. Your prettiest tea cloth should drape the table, and all the features of the “equipage” must be the best you can bring to the front. A single vase of flowers not a mixed bouquet should grace the center of the table. As you make and pour the tea, see to it that the talk flows on smoothly. There should be no break in the thread of anecdote and chat. Silence is always formality under these circumstances.

Have a plate or basket of thin bread and butter. Some tea-lovers prefer this accompaniment to sandwich or cake. If you or your cook can make good Scotch scones, for which you shall have a recipe presently, they will be received gratefully by those who have eaten them “on the other side.”

Another pleasant accompaniment of tea is the toasted sandwich. That, too, we will have by and by. Sandwiches of tongue and ham and chicken are popular at all times. In hot weather I refer the lighter varieties of tomato, cress nasturtium and lettuce sandwiches. On very warm afternoons you may substitute iced for hot tea. Yet, since this cooling drink disagrees seriously with many persons, it is best to have hot tea for such as prefer it.

A basket of light cake or cookies is passed after the bread and sandwiches. For those who take no sugar in their tea, cake is not amiss. It vitiates the taste of the drink for such as qualify it with cream and sugar. In addition to cream jug and sugar bowl have a plate of sliced lemon if you serve cold tea, a bowl of cracked ice.

Stop there! Bonbons, fruit and “Frappes” are foreign to the genuine, quietly refined function. You vulgarize it by introducing any of them.

Afternoon Tea Scones.

Sift a quart of flour three times with two teaspoonfuls of baking powder and one of salt. Chop into this a tablespoonful of butter and one of lard for shortening. Mix in a bowl with a wooden spoon into a dough by adding three cupfuls of sweet milk, or enough to make a soft dough. Do not touch with your hands. Lay the dough upon your kneading board and roll into a sheet half an inch thick. Cut into round cakes with your biscuit cutter and bake upon a soapstone griddle to a light brown. Split and butter while hot.

Toasted Sandwiches.

Cut slices of white or of graham bread thin, butter lightly, and spread one with cream cheese. Press the two slices firmly together and toast the outside of each before a quick fire. Send to table wrapped in a napkin.

Cream Cheese and Sweet Pepper Sandwiches.

Scald the peppers to take off the biting taste, and drain them. Lay on the ice for some hours. Wipe and mince. Mix two-thirds cream cheese and one-third peppers into a smooth paste. Spread upon lightly buttered bread and put together in sandwich form.

Tomato Sandwiches.

Butter thin slices of bread and lay between them slices of fresh ripe tomatoes from which the skin has been pared. Spread each slice of tomato with mayonnaise or a good French dressing.

Lettuce Sandwiches.

Butter thin slices of bread and lay between them in sandwich form crisp leaves of heart lettuce which have been dipped in mayonnaise dressing. One leaf of lettuce suffices for each sandwich.

Nasturtium Sandwiches.

Substitute for the lettuce leaves petals of nasturtium flowers dipped in French dressing. This is a piquant and appetizing sandwich.

Marion Harland

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Novel Ideals for an Afternoon Reception

This is the second article in April of the School for Housewives 1907 series published on April 14, 1907, and is a discussion on how to entertain at a afternoon reception.

Transcribed from the Sunday edition of Boston Sunday Post.

Novel Ideals for an Afternoon Reception

IN THOUSANDS of American homes the habit of 5-o’clock tea is as confirmed as in the parent country, where the fashion is now hoary with age. It is a comfortable and a heartening custom. The tea-tray is brought into the family sitting-room—into the mistress’ sanctum—or, if the family be large, and the elements various, into the dining-room—wherever it is convenient to assemble the several members. The tea is poured by mother or daughter, a plate of bread and butter is passed, perhaps one of tea biscuits or light cake; there is cheerful talk over the teacups for fifteen or twenty minutes, if the household be busy, and the little party breaks up, each going her way until dinner time.

Should a visitor chance to call near tea time, the function is not altered. The tray is carried by maid or butler into the drawing-room, and the members of the family who are at home follow it.

In households where tea-drinking is dignified into a ceremony, and the quality of the beverage is made a matter of importance, the furniture of the tray includes teakettle and alcohol lamp, and the tea is brewed in the sight of the party. It is a graceful and a gracious “ceremony.” Stiffness and strangerhood melt before it, as frost under the sunshine. Talk is stimulated and good fellowship established.

DECADENCE OF CONVERSATION

The afternoon tea and reception is an expansion of the daily custom. An evening “affair” involves the necessity of a formal and a more or less elaborate supper. There must be music, and, nowadays, the hostess considers herself bound to provide some kind of “entertainment” other than dancing for the young people and cards for the elder guests. I make no pause here to bemoan the decadence of conversation as a lost art. Cards and dancing have taken the life out of talk. If a girl waltzes well, nobody asks if she can converse. If her mother, aunt or elder sister can hold her own at whist, or be an Horatia at the “Bridge”—what need of further social accomplishments?

Dancing and cards are varied by vocal and instrumental music, recitations, amateur theatricals—any novel fad that promises diversion to blase wordlings. The function is expensive, laborious and, to all save the debutante and the “young” beauty, tedious and trite.

“The only difference is in the caterer,” sighed a society girl in her third season. “I have been to twenty this winter. We say the same nothings; we meet the same set of people, and I know it all by heart before I go.”

HINTS FOR HOSTESSES

The afternoon function is a happy combination of the best features of the two forms of hospitality. There must be a set table in the dining-room, or, if more convenient, in the back parlor. The hostess compliments two of her friends by asking them “to pour,” one at each end of the prettily decorated board. If the room be not well-lighted, have candelabra, and soften the gas or electric light by balloon-shaped shades of colored silk or crimped tissue paper.

I enter my protest at this point against the barbaric practice of receiving guests—fresh from the sun filled air of heaven’s own making—in rooms dim with colored shadows and reeking with the breath of drooping flowers, not to mention artificial perfumes wrung from gums and oils and patented as “French.” I know it is the fashion to shut out the sunshine and to steep the “chiaroscuro” left in the airless interior in color and (alleged) fragrance. I am told that complexions show to advantage in the “doctored” twilight. To my apprehension, the complexion that cannot stand before the light of God’s day is not worth the trouble of keeping.

A shaded light need not be gloomy. If your dining-room or inner apartment be insufficiently lighted, as is the case with town houses that back upon courts or small yards—make it cheerful with gas, lamps or candelabra, but do not shade it to such a degree that you cannot recognize your best friend, or discover by the seeing of the eye whether you help yourself to a sandwich or an eclair.

The tea equipage should grace one end of the table, a chocolate service the other. Sugar, cream and sliced lemon surround the teapot or samovar. A pretty fork lies across the dish of sliced lemon; sugar tongs accompany the silver or china bowl of cut sugar. The cream jug has a ladle. It also stands in a tiny silver saucer of its own that stray drops may not trickle to the embroidered teacloth. The apparatus for chocolate is less varied. A china pot, a dish of granulated sugar (cut sugar does not dissolve readily in the thick liquid), and a wide-mouthed jug of whipped cream, a spoonful of which is laid upon the surface of each filled cup.

The interval dividing tea and chocolate equipages is filled with plates of sandwiches, cakes, bonbons, salted nuts, fancy rolls, etc. — whatever goes to make up a bountiful “afternoon tea.” If you have the knack of making veritable scones—pronounced “skuns” — the introduction of these will vary the collation agreeably. The sandwiches should be small and the contents must not overlap the edges. The eaters do not remove their gloves, and the ooze of cream cheese or mayonnaise will soil finger tips. Another acceptable addition to the conventional menu is toast. Toast thin strips of stale bread to a delicate brownish tint, butter while hot, and wrap in a heated doily. In serving, open the corner of the doily, to show the crisp bits within. It is very popular. Hot relays should come in from the kitchen during the afternoon. You may spread some of the toast with anchovy paste or with caviare.

If you desire to give the function more the air of a “reception” than a “tea,” enlarge the menu by serving hot bouillon in cups, and have a side table on which is arrayed the paraphernalia of claret punch or tea—or mint—or strawberry punch. Iced sherbet or cafe frappe may be substituted for the punch.

The hostess and her daughters are content to leave the business of dispensing the refreshments to the friendly “pourers” and to waiters. Their duty is to receive the guests and to mix the social brew into a cordial which shall not pall upon any.

Introductions at this function are convenient and pleasant, but the truly well-mannered guest does not wait for a formal presentation to a fellow-guest in a friend’s house. That he, or she, is there, and on equal terms with herself, is a guarantee of respectability, and that she will not lower her social status by falling into easy chat with her neighbor if occasion offer. Americans are beginning to comprehend this sensible social principle better than of old. There is no longer any excuse for having a “stupid time,” when the stupidity is not in one’s self.

Scones.

Sift a quart of flour three times with two tablespoonfuls of baking powder and one of salt. Chop into it a tablespoonful of butter and the same of cottolene. Wet with enough milk to make a dough just stiff enough to be rolled out. The softer the better, so long as it may be handled. Work the dough with a wooden spoon, not touching it with the hands. When mixed, roll out half an inch thick; cut in to rounds with a cake cutter, and bake upon a soapstone griddle, turning when the lower side is brown. Tear open, butter and lay within a heated napkin upon a hot plate. Eat soon.

Oatmeal Scones.

Mix in a deep bowl three cupfuls of oatmeal and one of white flour, two teaspoonfuls of baking powder and one of salt. Have at hand three liberal cupfuls of milk heated to scalding, into which you have put a tablespoonful of sugar and three of butter. Stir for a moment; make a hole in the centre of the flour and meal and pour in the milk. Stir it down into the milk with a wooden spoon, not once touching it with the fingers.

When you have a soft, rough-looking dough, roll it out about a quarter inch thick, cut into rounds and bake upon a hot soapstone griddle, turning to brown it on both sides.

Cream Scones.

Sift a quart of flour with two tablespoonfuls of baking powder and half a teaspoonful of salt. Sift all together twice, and chop into the flour two even tablespoonfuls of butter, as you would in pastry. Mix with half cream, half milk, to a soft dough; roll out into a sheet less than half an inch thick; cut into rounds and bake in a quick oven. Spilt and butter while hot.

Lettuce Sandwiches.

Cut the crust from white bread; slice it thin, and butter. Lay between two slices a crisp lettuce leaf dipped in mayonnaise dressing.

Lettuce and Cream Cheese Sandwiches.

Slice the bread very thin when you have pared off the crust. Butter smoothly and lightly. Spread one slice with cream cheese and lay upon the other a crisp leaf of lettuce dipped in mayonnaise dressing.

Mint Punch.

Melt a cupful of granulated sugar in the strained juice of six lemons. Then add three peeled and sliced lemons. Slice very thin. Leave all in a big bowl, set in ice until just Before serving. It cannot be too cold. Transfer to your punchbowl; mix in a quart of finely pounded ice; stir for a moment and pour from a height of two feet, upon the mixture three bottles of imported ginger ale. Lastly, add a dozen sprays of green mint, washed and slightly bruised between the fingers.

Tea Punch.

Make a good infusion of tea with four teaspoonfuls of the best mixed tea and a quart of boiling water. After it has drawn four minutes, strain it from the leaves and cool. Fill the punchbowl half way to the top with cracked ice; stir in a cupful of granulated sugar and the strained juice of four lemons. The tea goes in next, and just before it is served, a pint of some good table water.

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